In _Susceptible to the Sacred_, Bani Shorter, a well-known Jungian analyst, examines the psychological experience of ritual in contemporary life and how this promotes awareness of the individual's natural potential. Basing her book on live material, she investigates, with great sensitivity, how people perceive the sacred and use ritual in their search for purpose, motivation and transformation.

Although Aranyosi's claim that McTaggart's "set of parts" is a set rather than a fusion is correct, his attempt to restate McTaggart's conception needs revision. Aranyosi argues that "the fusion of cats is identical with the fusion of all cat-parts, 'regardless of whether all cat-parts are parts of cats or not.'" Fusions have unique decompositions into what David Lewis calls "nice parts." Cats are nice parts of cat fusions, as are maximal spatio-temporally connected parts. Part of Aranyosi's argument fails when (...) it deals with cats; part of it fails when it deals with maximal spatio-temporally connected parts. He does not identify one kind of nice part that allows his whole argument to go through. (shrink)

I believe that Mr. Sosa is right about my example but wrong on the substantive issue; which shows that my example was poorly chosen. If the ugliest Irishman was so ugly that even the Irish were offended, they might form a committee to get rid of him. Suppose he was kidnapped and deposited in New York. If we were informed of all this and also knew that the ugliest Irishman is the Prime Minister, I agree that we should have been (...) given an adequate explanation of why the Prime Minister is in New York. (shrink)

This article suggests that the popular western image of the Buddha of the Pali suttas has been influenced by the opening pages of Walpola Rahula’s book What the Buddha Taught. It examines two closely linked qualities postulated by Rahula as attributes of the Buddha: that he is respectful of other religions and that he encourages freedom of thought in his followers. It finds Rahula’s evidence faulty at every turn and goes on to give examples of the Buddha’s and suttas’ disrespectful (...) attitude to other faiths, suggesting that in respect of its ‘exclusivism’, the Buddhism of the Pali suttas is no different from other religions. (shrink)

ABSTRACTAnna Letitia Barbauld's poem ‘To Mr. Barbauld, with a Map of the Land of Matrimony’ and its illustrated companion piece, ‘A New Map of the Land of Matrimony, Drawn from the Latest Surveys’, first published anonymously by Joseph Johnson in 1772 but attributable to Barbauld, show their creator playing in original ways with courtly and libertine variants of the map of love and marriage: a genre of allegorical and sentimental map tracing its provenance to ‘La Carte de tendre’ or ‘The (...) Map of the Country of Tenderness’, conceived by Madeleine de Scudéry for inclusion in her multi-volume prose romance Clélie and given illustrated form by François Chauveau. Taken together, map and drawing indirectly serve to illuminate Barbauld's complicated position within Enlightenment feminism and invite new insights into her relationship with the canonical male Romantics, reaffirming her status as a key transitional figure between Neoclassicism and Romanticism in the contribution she makes to the historical debate over the relationship between different arts. (shrink)

This article annotates and publishes a previously overlooked letter in the Thrale-Piozzi collection of the John Rylands Library. The letter dates from the summer of 1774, and was addressed to Mrs Hester Thrale by Giuseppe Baretti, a member of Samuel Johnson’s circle, who had been teaching Italian to the Thrale eldest daughter for almost a year. The discovery of this forgotten document has offered an opportunity to reconsider the relationship that this Italian intellectual entertained with the Thrale family. The reassessment (...) of the role Baretti played in their household, in the course of his three-year tutorage, is conducted also in light of a reappraisal of the Easy Phraseology, a collection of Italian-English dialogues created for and with his pupil, and therefore affording important insights into the writer’s domestic and educational experience at Streatham Park. (shrink)